katherina zakravsky / miguel gutierrez / robert steijn  / all contributions

kalevala dancebox

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kalevala dance by:
min kyoung lee



comment by teacher

yes, this is superior timing combined with taking risks, and not giving up, here the dance is speaking through her body, i am following the dance, by following details in the body, i get obsessed by the feet, the feet are a dance in itself, and what about the spine and her knees.
i look at her dance, because she herself is also looking how the dance takes her, she looks inward all the time, and sometimes, it happens, she becomes the dance itself, not observing anymore, just the manifestation of an impuls. going in and out the dance, as a cycle of awareness between teh doing and the watching.

i want to dance with her, to feel her energy moving in the space and especially the way she is breathing in and out when she does her movements.

and when we dance together, shall i copy her movements and become sisters with her, or shall i take the so called male perspective, so we can create a duet of a woman who take risks and a man who says in his movements: yes baby, go for it, and when i can not catch you anymore, your body is intelligent enough to fall graciously and painless. i am sure.

can everybody who reads this, imagine now how he or she want to dance with her

letīs dance

robert


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