katherina zakravsky / miguel gutierrez / robert steijn  / all contributions

kalevala dancebox

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kalevala dance by:
artemis stavridi



comment by teacher

does the man need to be on the background, of course he is
an attractive beackground, but what does it do to the
nervous dancing person on the foreground. not so much, i
would even say, he distracts from what she is developing in
the doing, and she is doing nice things to her spine, to her
nervous system, in the rythm of her movements.

of course there is a kind of link, when he also points his
finger, but this appointment to begin and end the minute can
not compete with what is perhaps not exactly planned, and
what does actually happen in the body of the person on the
foreground.

to lose yourself in th unexpected, need no stop or end.

robert


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